Hi there!

So….been awhile since I updated my blog. Well, in all honesty, I kinda forgot I had a blog. Been busy since my last entry which was 18 months ago. Let’s see….got married, bought a new house, worked a lot….rinse repeat. A vicious cycle. Well except for the getting married part. I hope to never do that again.

But today’s a new day, another opportunity to change course and set off in a new direction. or not. We’ll see. I think having something interesting to say or the lack thereof has kept me from blogging. That and the constant barrage of spam ‘comments”. That’s another thing that just turns me off of using the internet.

But I digress….this is a blog about my adventures in television and the crazy world I work in. So without further adieu….

Today I did a shoot as 2nd camera on 60 Minutes. Australia. Yes-there’s an Australian version of 60 Minutes. Here’s a picture…

So what else have I been doing? Well this:

This is my Blackmagic Cinema Camera. It shoots beautiful pictures. It’s very small, but takes so much stuff to make it usable that it makes it bigger than my regular camera.


Eh-Anything else? Well this:

This is me with the Sony F3 and a really nice Fuji 19-90 lens.

This was for the show “Testdrive” on the now defunct Speed Channel (God rest it’s soul).

Lots of cool stuff happening and I promise to update this more often, so the folks selling Viagra, work from home scams and that guy that keeps trying to give me 21 million dollars from his aunt in Nigeria will have something new to read, as they bombard my blog with comments.




Right to left: Me, Lilia Luciano and the always convivial Dwaine Scott.

“You have a really cool job, it must be very interesting”.

I hear that a lot. It’s always from someone that isn’t in the television/video industry, and  especially from people that have an office job or that go to the same place everyday. Often times, I am meeting people on the best day of their life or the worst day of their life. But what I do-shooting and doing audio-seems much more interesting to them than their job. A recent conversation with NBC cameraman extraordinaire Dwaine Scott shed a little light on it in a way I had not really paid much thought to.

When we (camera and sound) are out in the field “we represent EVERY cameraman and sound-man in the world” said Dwaine. “Because most of the time, we are the one and only time someone outside of the business meets and interacts with us, and their entire impression of TV is based on how we act, and perform our job”.

Dwaine’s right. First impressions only happen once. Whatever the situation may be, when we leave, the people we’ve been around most likely will take from that day as how every camera crew is, and will relate that experience to their friends and family. And many times, that six degree separation is how those people will form their opinion of cameramen and sound techs…assuming (incorrectly) that we all act and perform our jobs the same way. 

If we go in with a surly look on our face, speaking in short, brusque tones and sentences, tossing gear around haphazardly, and being generally pissed off, folks assume we ALL are that way. And if we do a crappy job, they assume we all do a crappy job.

No wonder we get portrayed on television (of all places) as dressed like slobs, vultures, jackasses, and as morons incapable of thnking for ourselves. Nothing drives that home like the 1989 movie “Everybody’s Baby: The Rescue of Jessica McClure”. Many of you older guys remember the story-little girl in Texas falls down a well. In real life, the 1st cameraman on the scene was then Midland Texas cameraman (and great guy and friend of mine) Phil Huber. Phil arrived shortly after getting the scanner call, and when he got there, he suggested dropping his shotgun mic into the well to see if they could hear Jessica. Phil did this on his own, and offered up anything and everything he could to help, in addition to becoming the pool camera for that event. We have all seen how that event turned out, through Phil’s eyes. However when the movie version came out, “cameraman” was reduced to being told to give them the mic and cable, and of course cameraman says “I dunno, if anything happens to that mic I’ll get in trouble”, and the rescue person bitches him out. It was an entirely inaccurate (and quite unfair) portrayal of what really happened…because somewhere, someone writing a script thought “hey this is what a cameraman would say/do”. Just so you all know, if Phil could have crawled down that well, he would have ditched the gear in less than 2 seconds and done it.

Are we accurately representing ourselves in public? Not always. That would be near impossible. Some days we just are off game, off message, just plain off. Sometimes circumstance means we have to get in and out as fast as possible. But we have to try, and try harder. Cause we’re representing.

From the desk clerk at the hotel, to the waitress in the diner, baggage handlers at the airport, the TSA agents (yes even them), the maid that is trying to clean the room with 14 cases of gear stacked up, to the subject of our interview…they all form their opinion of us from that 1st meeting. And rarely can it be changed much.

When we go in the field, we already have a tough job. We shouldn’t make it tougher on the next guy, by making ourselves…and each other…look bad. Our profession has enough going against it already…we go where tragedy strikes, and have to talk to folks enduring horrible situations, and interrupt them to ask them questions (don’t get me started on the “how do you feel?” question, that’s a whole ‘nother blog). The last thing we should be doing is walking up looking like we just cut the grass. Or acting as if we are owed an interview because “we’re the media!”.  Or doing a half assed job.

Everytime we go out, we are the television industry to most people. Both in the technical sense, and in the personality sense. It doesn’t matter what type of TV or video we are doing…news, sports, reality, corporate….we are the industry. We should act how we see ourselves…professional, courteous, friendly, and enjoying our job that is like no other one. We’re on the front row of life many times, and get to do and see some remarkable events unfold.

I try to always be the kind of cameraman/audio guy that I want folks to see me as. And I am going to try harder to be the kind of cameraman/audio guy that we ALL want to be seen as.

How do you want to be represented?



I have been working on a new show for Tv One, and this past weekend, it involved a rather odd trip out of town.

I drove from Atlanta to Memphis on Saturday. While checking Facebook, I saw my former dogsitter, was on vacation in…yep…Memphis. So through the miracle of the internet I found myself having a beer with her and her friends.

The next day I awoke, eager for my shoot. All 20 minutes of it. Yes I drove to Memphis to shoot 20 minutes of tape. But wait-there’s more!

Off to Nashville! Yes, another shoot that day-20 more minutes of video! Then back to Atlanta. I spent 15 hours of driving to shoot 40 minutes of video.

This coming weekend, it’s another reality show-Bridezillas. The irony is overflowing on that one. :)

New video posted

Just posted some clips of interviews I did over the last few months or so. This shows some of the ways I can light an interview. Go to the video page or click the link below.

Pulling a rabbit from the hat.

The phone rings. “Hey what cameras do you have?” “Well, I have the Panasonic HDX900…used on many shows around the world”. “Oh, well we want to shoot on the Canon D5…this is a very stylized piece”.

I get this quite often…requests for a certain camera. Understandable, if it’s due to workflow, format or cost. But…style? Really?

Style isn’t something that comes from a chipset. There’s no “style” switch on a camera. Style is something that comes from the eye of the person shooting, not from randomly pointing and pressing record. It’s as if, “hey if we have XYZ camera, that will make it look great”. Never mind the guy holding it, he’s inconsequential.

I equate this with something very simple-pulling a rabbit out of a hat. The trick is pretty simple….Uncle Harry does it at the kid’s birthday party. And David Copperfield does that  trick too. Same hat. Same rabbit. Yet one gets a slice of cake and some kids screaming as his payment. The other gets $145 per ticket in Vegas to do the trick. Why?

Style. Copperfield puts more style into the presentation than Uncle Harry. Harry has whatever compact flourescent that happens to be in the room for light. Copperfield has a truck full of stage lighting. Uncle Harry has to raise his voice to be heard. David has a 60,000 watt sound system and wireless microphone. They do the same trick, yet one is paid more and gets more acclaim for it…..because his style of performing the trick is much more thought out, and executed.

Same with shooting video. I can make pretty, stylized shots with an HDX900. With a Xdcam, an F3, a RED, or a D5, or even (given time) an Etch-A-Sketch. Could you hand Uncle Harry a Arri Alexa and get the same results? Years of experience and shooting have taught me how to make great images with any camera. Shallow depth, vivid color, clean audio…that comes from experience and knowledge….not because you have the latest camera (that is already outdated by time you have it in your hands).

It’s not the wand….it’s the magician that waves it.

Welcome to the new site!

Well hello there! Welcome to my newly re-designed website. This is designed…or should I say..re-designed… to give Tvshooter Video Productions (that’s me) a little more presence on the web.

In the course of human events, I will be posting my random thoughts, pithy comments, some possibly useful information, and occasionally some pictures of what I’m up to in the field. Kind of like Facebook, but without the multi billions of dollars in my pocket.

Comments are welcome, of course I reserve the right to edit, delete, make fun of, or re-post on a Kim Kardashian fan site.

Until such time as I have something interesting to say-thanks for reading!